OUT OF STOCK – EMAIL ME TO PRE-ORDER.  New order being made soon
DWARFCRAFT says: I’m pretty much in love with this pedal, so forgive me if I seem to be up my own ass about it.

ECT is the result of my wish to rectify a few issues I’ve had with other fuzz boxes, notably a mid scoop. “But Old Pal Aen, some times I need to scoop teh midz for my metal tonez!” While I can’t say that I ever find that useful, ECT will do that as well
When stomping on the BYPASS switch, you will be in familiar fuzzbox territory. Volume, Tone, and Distortion are all active, as well as the TIMEWARP toggle, which flips between the traditional hi-fi type sound and a more blunted, ummm, stoner-rocky type sound. (A note: if your amp has a lot of treble rolled off, you may not hear much difference between the time warp positions. Because you have your amp set up wrong.)
TONEBLAST bypasses the tone control, giving you more mids and a bunch more volume. At any time, you can tap the feedback stomper to trigger a momentary integrated feedback loop, because I like noise, so back off, it’s cool.
TRIM allows you to roll back your input signal, in case of muddiness caused by hotter pickups.
This has the most bass (well, it’s a tie with Hair of the Dog) of any DC Device. It is amazing on bass guitar.
THE LAST GUITARIST says: Easily one of the best and most versatile fuzz boxes I’ve ever rocked out on – I never get bored with this powerhouse of Grrrrrrrrr tones. It is one of the more ‘stable’ offerings from dwarfcraft but don’t let that fool you into thinking you can’t experiment with the multiple options for shaping the sound on this beauty.
It lends itself to more standard playing experiences and live band situations for sure, and if solos are your thing then stomping on the TONEBLAST switch and hearing the sheer LIFT and POWER it will give you may just require you to change your pants mid riff. Best not to wear any in my experience.
The feedback switch is where the real experimentation opens up and you can move from the huge range of fuzz tones into the weird world of strange computer melodies, alien squarks, and quantum screams. One simple trick is to tune the feedback to a basenote and create stabbing melodies that drop in and out of it like knives through your bastard heart. Absolute genius.

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