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DWARFCRAFT says: Raunchy bass heavy fuzz, rhythmic oscillation, squeals of delight, and infinite experimentation both live and in the studio. Mains powered only.

The pedal that started the Dwarfcraft noise machine towards world domination, a belching, behemoth of fuzz and noise as – it’s knobs have been twiddled by the likes of Alan Sparhawk of Low, Justin Meldel-Johnsen, Korn, K O Y L, and Pussy Makes Three.

THE LAST GUITARIST says: This is NOT a ‘linear’ pedal where turning the knob does more of effect ‘X’ but rather it does X, Y, Z, Y, X and the SCREAMS IN YOUR FACE BECAUSE IT HATES YOU AND LOVES ALL AT THE SAME TIME.
Whilst you can dial in a great ballsy fuzz tone for a more standard playing experience it is by experimentation that you will get the most fun by finding new sounds and tones. I’ve even used it to generate Gabba style kick drums generated by zeroing the volume knob on my Strat. This opens up the world of sampling and building up squarking analog electronica in your preferred audio software.
Live, you’ll probably find a particular sound that you turn to with the option to get down on your knees and make the audience cry like a weakling child. EPIC.